诗的非个人化
卞之琳的一种诗歌主张,认为诗歌不应该放纵情感而应该克制情感的表达,即将西方小说化、典型化、戏剧化的“戏剧性处境”与中国旧小说的“意境”融合,达到“个人”的隐匿,从而使诗歌具有多重内蕴,使诗歌中人物的身份具备可置换性。
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